Starter’s Guide to Specialty Filtration

Summary: Ryan covers speciality filtration you can use to solve technical problems and create unique looks for your productions.

Length: 2:10 minutes

!! Want to see the whole video? Become a member !!

  • If you are already a member, you can log in below.

Depth of Field, Part 1: How Aperture and ISO Affect Focus
Your Guide To High Speed, Part 6: Five Tips For A Successful Shoot
Your Guide To High Speed, Part 5: Lighting Six High Speed Sets
Your Guide To High Speed, Part 4: Common Lighting Problems
Your Guide To High Speed, Part 3: Camera Operation & Workflow
Your Guide To High Speed, Part 2: Frame Rate
Your Guide To High Speed, Part 1: Introduction
12 Crucial Questions Before Lighting Your Set (Cinematic Lighting Lesson 15)
Negative Fill: The Best Kept Secret (Cinematic Lighting Lesson 08)
2 replies
  1. rogermac
    rogermac says:

    Hey Ryan. Thanks for sharing your knowledge.
    I have a question. Do you know Bruno Aveillan, a French director?
    It seems he uses split diopters (with something else in front of his lenses) to get this kind of amazing flares and distortions in his shots.
    Do you have any idea on how to achieve this kind of effects?
    Thank you.

    • Tim
      Tim says:

      Hey Roger, I do know know Bruno Aveillan, but his work is impressive. In looking at the video you linked to, I don’t think he uses split diopters. The flare effect you are seeing is most likely achieved by smearing petroleum jelly (Vaseline) on an optical flat clear glass filter. There is beauty in the simplicity of this effect, especially since you can change where you place the petroleum jelly on the filter, change the amount, and adjust the thickness.

Leave a Reply

Want to join the discussion?
Feel free to contribute!

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.