To get the most of our LED database of 165 LED lights, we explain how to read the color spectra and understand CRI (Ra), CRI (Re), TLCI, CQS, and TM-30-15.
Last week I covered how a light meter is still necessary in our digital age. This week it’s time to learn how to use the light meter. In this video I cover the incident meter and the spot meter, and when to use them. Then it’s demonstration time, using the meter in different ways to properly expose a scene. Finally, I give you some tips and tricks on how to quickly determine the lighting ratios and range of your scene, along with a few more.
As digital cinema cameras become the norm on set, people often ask, “Do cinematographers really need a light meter? Isn’t digital imagery simply ‘What You See Is What You Get?’” In this post I discuss how incredibly valuable a light meter is in speeding up your shoot, helping you communicate effectively with your gaffer, and increasing your abilities as a filmmaker.
Did you know that your old color meter no longer works with today’s LED lights? In this video, Ryan shows you why and what to do about it.